Bernarda Alba conveys an array of typical features. nevertheless it is her obstinate conservative nature that enables the illustration of the subjugation of adult females created by ambiguous Spanish traditions in Lorca’s dramatic drama. House of Bernarda Alba. The character of Bernarda becomes acquainted with readers through the method of indirect presentation as Lorca gives the reader no analysis or expounding sing her. Basically. Bernarda’s bizarre traits are thrust upon the reader by agencies of her physical and verbal actions. This can be seen with the instance of her impression of high quality to others when she says “The hapless are like animals-they seem to be made of different material. ” As the secret plan progresses. the reader discovers that Bernarda is a inactive character. one who’s personality remains changeless throughout the class of the drama. Bernarda besides seems to exhibit the properties of an adversary as she. .
Lorca instantly utilizes his ability to construct up tenseness with the awaited reaching of Bernarda as her retainers present her as being a “tyrant over everyone about her” . Bernarda under the shadow of the church and the dictatorship bred from a demand to protect the repute of the household represses her girls by implementing an eight_year bereavement period. “For eight old ages of mourning. non a breath of air will acquire in this house from the street. ” Bernarda exhibits strong traditional values and uses her bossy position to transfuse these values in her five girls. “That’s what happened in my father’s house_and in my grandfather’s house” . Throughout the drama it seems that Bernarda is a dictator that is consumed with maintaining her girls in line.
Her controlling nature is prevailing throughout drama and is particularly seen with respect to her restrictive attitude towards the love lives of her girls. “For a 100 stat mis around there’s no one good plenty to come near them. The work forces in this town are non of their category. ” She endows the responsibility of taking hubbies for her girls upon herself It is Bernarda’s egotistic disposition that pervades the house devouring the everyone around her. “My blood won’t mingle with the Humanas’ while I live! His male parent was a shepherd. ” The girls know and fault this type of disdainful act for their impairment. “but we rot indoors because of what people might say” . Bernarda’s haughtiness is besides the cause of her disregarding the daughter’s Acts of the Apostless of noncompliance. Poncia. Bernarda’s close amah. provinces “She’s so proud! She herself pulls the blindfold over her eyes” . subsequently saying. “But. your kids are your kids. and now you’re blind. “
Bernarda is simply a sheep. enslaved by the ordinances of society. It is her crude rules combined with her entry to an oppressive society that allows the girls to believe in such antediluvian statements as “needle and yarn for women” . Bernarda is a character filled with fury. She invariably resorts to violence when the result of a state of affairs is non as she desired. This can be seen when she strikes her oldest girl Angustias for merely looking at work forces. “Is it nice for a adult female of your category to be running after a adult male the twenty-four hours of her father’s funeral? ” Not merely this. but when she found out that a adult female had prenuptial sex. she promulgated that “…whoever loses her decency wage for it! “
The thought that Bernarda is a merchandise of society is substantiated by the happenings at the terminal of the drama. Adela had prenuptial sex with Pepe el Romano and committed self-destruction. Bernarda proclaimed to the household that “My girl died a virgin. ” She demanded that all the adult females “Take her to another room and frock her as though she were a virgin. ” Without the slightest intimation of heartache. she attempted to dissemble her daughter’s decease with the purpose of continuing the unity of the household name. This can be viewed as selfish. or it can be seen as the consequence of an oppressive society. The motivations of Lorca appear as he attempts to show the subjugation of adult females through the character of Bernarda.
She regulates the family by enforcing the rigorous commandments by which adult females must stay by under the traditions ( viz. faith ) under Spanish society. Possibly the ground for Bernarda’s deviant traits lies in the impression that Lorca desired to dispute the norm in society and inflict reform. His three “peasant trilogy” dramas go arounding around adult females ( Yerma. Blood Wedding and The House of Bernarda Alba ) all depict the rough lifestyle adult females had predestined and the effects that would ensue if divergence from these expecations occurred. The fuel for the blue society has its roots in Catholicism. Numerous disagreements existed as created by the rules of the faith and it was this that finally consumed the daugthers.